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Paul Robeson, one in the world's most famous actors through the 1920s over the 1950s and a man who led an extraordinary life by any measure, isn't well regarded today. In this moving and intimate memoir, his son, an independent journalist and translator, blames his father's current obscurity for the public response to his outspoken left-wing politics and insistence on racial pride, evident throughout his careers in college sports, on stage so when a spokesperson for equal rights. Most pointedly at issue, in Robeson Jr.'s eyes, will be the far-reaching, vituperative media campaign waged through the McCarthy era that (wrongly) labeled Robeson a Communist and caused him being blacklisted from 1949 until his death in 1976. Born in 1898 to a runaway slave who became a famed minister and preacher, in 1915 Robeson was the third African-American admitted to Rutgers University, where, despite overt racism, he was a noted scholar, athlete and orator. After graduating from Columbia Law School, he tried his hand in the theater and, in 1924, was heralded for his performance in O'Neill's The Emperor Jones. Robeson proceeded being a worldwide star, notably playing Othello in London and appearing within the stage and film versions with the musical Show Boat. During this time, he also entered the political arena regarding his support of antifascist and leftist groups, later used with the press and anti-Communist witch-hunters to tarnish Robeson's reputation. Robeson Jr. writes forcefully of his parents' successes his mother, Eslanda, led an existence as public as her husband's as well as with their troubled marriage. This version of his father's every day life is an important, well-wrought addition to African-American, Cold War and theater scholarship.
Copyright 2001 Cahners Business Information, Inc.
Paul Robeson is obviously one of the more tragic figures in 20th-century U.S. history. He was a gifted athlete, musician, scholar, actor, and activist who remained enamoured of Stalin long afterwards others grew disillusioned. Now his son, owner and archivist for that Paul Robeson and Eslanda Robeson Collection, mines the collection's decades' valuation on personal papers and diaries to explore the artist's intellectual development in the first of an proposed two-volume biography. Extensively illustrated with personal photos, this is a unique account of an brilliant but troubled man instructed to seek the accolades he deserved in foreign lands. Often more anecdotal than analytical, this volume remains a necessary acquisition for those libraries as well as a welcome adjunct to Martin Duberman's definitive Paul Robeson: A Biography (LJ 1/89). Anthony J. Adam, Prairie View A&M Univ.
Copyright 2001 Reed Business Information, Inc.









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